Jessie Washburne-Harris interviewed in Allure

Lisa Oppenheim, Invention Without a Future, reviewed by Anne Wehr in Frieze, Issue 128, Jan - Feb 2010

Lisa Oppenheim, Invention Without a Future, reviewed by Yulia Tikhonova in Flash Art, Jan - Feb 2010

December 2009
"800 Words with Alexandre Singh," by momus, Art in America, December 2nd, 2009

Matthias Dornfeld and Virginia Poundstone mentioned in "Yes, Amid the Boutiques, SoHo Is Still Avant-Garde," by Karen Rosenberg, The New York Times

"Virginia Poundstone in New York," by Andrew Russeth, Artinfo, December 23, 2009

Michael Queenland mentioned in "A Beating Heart of Social Import," by Roberta Smith, The New York Times, December 10, 2009

November 2009
Bernd Ribbeck, reviewed in "Goings on About Town," The New Yorker

"Le récit parallèle de Lisa Oppenheim," by Elisabeth Lebovici, Le Beau Vice

Lisa Oppenheim mentioned in Marco Tagliafierro's review of Solaris, Artforum

Alexandre Singh, Assembly Instructions, reviewed by Brian Droitcour on Rhizome.org

October 2009
Ohad Meromi and Alexandre Singh listed in "Top 100 Emerging Artists," FlashArt

Ohad Meromi interviewed in"Focus Israel," FlashArt

Lisa Oppenheim, Invention Without a Future, reviewed by Martha Schendener in The Village Voice

Karl Haendel, How to Have a Socially responsible Orgasm and Other Life Lessons, reviewed by Jody Zellen in Art Papers

September 2009
Lisa Oppenheim, Invention Without a Future, reviewed by Eva Diaz on Artforum.com

July 2009
No Bees, No Blueberries reviewed on Artnet

June 2009
Karl Haendel, How to Have a Socially Responsible Orgasm and Other Life Lessons, reviewed by Ken Johnson in The New York Times

Karl Haendel How to Have a Socially Responsible Orgasm and Other Life Lessons reviewed by Michael Wilson in TimeOut New York

"Goings On About Town: Karl Haendel," The New Yorker

Matt Saunders, "Binsey Poplars" reviewed by Nick Stillman in Artforum, Summer 2009

Yasue Maetake, "Sculpture Without a Skin," reviewed by Zehra Jumabhoy in Artforum, Summer 2009

"Karl Haendel’s Jottings, Writ Large, on a SoHo Wall," New York Times